IV

    Young Ireland augudy of our ory , and taylor studied, of comparison  of otries orical instinct. An old man ment, ury romance of Deirdre a re?telling of t five act tragedy outside tragedy from ion of it ainly ten on to a copper boat, a marvel of magic like Cinderellas slipper, persuades  t Irisalled tal sed, let us say, our fabulous ancient kings running up to Adam, or found but mytale, y of Scripture. Above all no man , t  by rote familiar arguments and statistics to drive a found strange trut of memory and become an instinct of erature, for literature is a cion itself, instead of being a dumb struggling t seeking a mouto utter it or o s, a teeming delig e t best, a subject of knowledge.